Sunday, 27 April 2014

Part V - United Kingdom

Time has been evaporating - Eurovision rehearsals start next week! I've been more emerged in Eurovision this year then any other year. I find that remotely strange in itself, but before divulging in my outlook of Eurovision 2014, I'll have a look at the UK's entry... which is uh-mazing!

The Good Part V - United Kingdom

'Children of the Universe' - Molly

Yes Yes Yes Yes Yes Yes Yes Yes! That's all I have to say about the UK entry for this year. Children of the Universe is a punchy ballad spawning the hastag #powertothepeople and getting Eurofanatics from the UK excited once again. Molly has raspy vocals, and sings over the steady beat of a big drum. The lyrics suggest an 'empowerment' in my opinion, for example the lines "fire in our bones" and "ours to own" indicate a voice to growing unpopularity with society and system, the fire leading to the idea that a passive aggressive movement has already started. The fact that Molly is "not giving in", "she'll never walk alone" bolster this position of a "dawn of change" in the UK and the rest of the Western world.

Or perhaps I've read too much into the lyrics. But c'mon, POWER TO THE PEOPLE?
Yes Molly - subliminal messages for the win!

Hidden symbolism aside, the song is very good. It's a quietly catchy little number which evokes a good feeling inside after listening. After all it really feels like an 'empowerment' song whether you listen to the lyrics or not. The BBC have really done us proud here! For people reading from outside the UK, I apologise. This is going to come across extremely biased, but I will try and criticise and be balanced as much as possible.

The BBC has finally done exactly what a lot of us have been calling for; it has chosen an artist based on the mass unsigned talent floating around the UK at the moment. Molly has won awards as an unsigned act for her music. I argued this last year and the year before, by using one of the many systems we currently have in place for recognising unsigned artists we can find a Eurovision gem. By giving Molly a platform to share her music on the European/World stage, the BBC has given her the start of what could be a fabulous music making career. If things don't take off for Molly for whatever reason, she is still a very credible artist with a fantastic singing voice and great song-writing capabilities. Molly is not only the UK Eurovision entrant - she is representing unsigned artists in the UK, an accolade which should not be forgotten!

The song presents some interesting options for Eurovision this year - if the juries and televoters go for it, we know which way the contest is leading. By this I am referring to how recent years have either been won by an old-fashioned number or a modern pop beat, for example the quirky song that was 'Satellite' to old-fashioned 'Running Scared', back to mega dance anthem 'Euphoria' and then last year's 'Only Teardrops' finding a good balance between the two. Children of the Universe for me provides a good basis for finding a balance between the two again, it has a slower beat with traditional styles, but yet the lyrical empowerment and raunchier vocals of Molly offer a more modern appeal to younger voters. Do you agree with me here? If you don't agree, please do comment because I am always interested to hear what others have to say, whether you agree or disagree.
I seem to always forget that I view the songs with a Western lens. I know for a fact that they way I hear and listen to music is very different to that of even close neighbours, but none more so than countries in Eastern Europe. Please, if any readers from Eastern Europe are reading, share your opinions on previous winners and how you see Children of the Universe. Ultimately, like all other fans, we are trying to find/predict the winner of the contest by polling our own favourites and checking the odds and so on. However we can never truly do this because we are all limited in that our own view will mostly follow cultural trends of the countries we live in. Therefore, I would love to hear the opinions of the UK entrant from other Europeans to see how underrated or overrated I see it.

I could continue to comment about the UK entrant, I mean there is staging and music vidoes and online polls to be talking about, but I won't make this blog post too long. Thanks for reading though!
Good Luck Molly! Good Luck United Kingdom! Bring the contest home to Birmingham (or London) for the 60th edition!

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